Later on, the diversity of the original painting forced me to create other brushes based on this one, with a variety of different pastosity and possibilities to scratch the paste. My goal was to create such a brush that would simultaneously scratch the canvas and load an immense amount of paint along the edges. I have created my own brush preset, changing the settings of the Flat brush in Rebelle. I will explain further later, why it did not work well for me to constantly trace colors from the reference image. Tracing the colors from the reference image allowed me to create three Van Gogh’s color sets: the basic one and two expanded. Also, I have slightly toned down the Impasto Depth and increased Canvas Visibility in the Visual Settings Panel.

You can either sketch by hand or trace the reference image using another layer.īased on the first impression from my painting process, I changed the canvas color and decreased the Texture size to 45%. The structure of the originally used canvas can be seen on the copy just partially therefore, I chose one of the Rough papers offered by Escape Motions on their website. This gave me a great comparison of brush strokes between the original and my painting. I started with setting the size of the canvas to be exact as the reference image.

Read through the painting process of an expert for traditional art media and assistant professor at the Department Of Creative Arts and Art Education at UKF University, Slovakia. Lubomir Zabadal has decided to try to reach this fascinating canvas at least digitally, through Oils in Rebelle 4. The master alone probably felt the disruption and immense power of nature as well, which resulted in painting one of his masterpiece artworks, The Starry Night. The look at the night sky is usually magical, however, at the same time disturbing.

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